Baran Mickle

Bill Baran Mickle Metalsmith 98110


Metalsmith – Sculptor

1997 Master of Arts: Art History @ Syracuse University, NY
1981 Master of Fine Arts: Metalsmithing @ Rochester Institute of Technology, NY
1978 Bachelor of Fine Arts: Metal Arts with Distinction, with a Diploma in Gallery
Management @ California College of Arts and Crafts. Oakland, California

AWARDS selected

2022. International Art Critics Award, Chianciano Biennale.
2021 City of Art Award, London Art Biennial, London
2020 Island Treasure Award, Island Treasure Foundation, Bainbridge Island, WA
2018 2nd Place – Sculpture, Chianciano Biennale, Italy
2013 1st Place- Applied Arts, London Biennale, United Kingdom
2011 3rd Place for Sculpture, Chianciano Biennale, Chianciano Art Museum, Italy
(European Confederation of Art Critics Award)
2001/2 Merit Award, “CraftForms 2001” Wayne Art Center, Wayne, PA. (Selected by Michael Monroe)

1995 1st Place, Purchase Award, “Art-in-Architecture National Competition”

1991 (Co-sponsors: American Craft Council and Hines Interests Ltd Partnership)
New York Foundation for the Arts Artist Fellowship (NYFA)
1991 Award of Merit, “Copper 3” National Exhibition
1989 National Endowment for the Arts – Mid Atlantic Regional Fellowship (NEA Regional)

2015 Bainbridge Performing Arts, Bainbridge Island, WA “Gestures”
2014 Artifact Gallery, New York, NY “Gestures” March (24 pg. catalog)
2010 Frodel Gallery, Poulsbo, WA “Dreaming of…”
2008 Frodel Gallery, Poulsbo, WA “Forged Content”
2006 Gallery Fraga, Bainbridge Island, WA “Busy Lives”
1996 Nazareth College, Rochester, NY “Just a Moment”
1990 Arnot Art Museum, Elmira, NY


2023 Bainbridge Island Museum of Art, “Spotlight,” Bainbridge Island, WA
2023. North Seattle Community College, “Process is a Loop and a Lin, Biennial, Seattle Metals Guild. Seattle, WA
2023 Price Sculpture Park, Augmented Reality Exhibition, Whidbey Island, WA
2022 Bainbridge Island Museum of Art, Lovelace Gallery, Five of artist’s works, Bainbridge Island, WA
2022, 2018, 2011 Chianciano Art Museum, Chianciano Biennale, Chianciano Terme, Italy 2021 D’Art Center, “ICON,” Norfolk, VA
2021 Bainbridge Island Museum of Art, Bistro Gallery, Bainbridge Island, WA (Four of artist’s examples)

GROUP EXHIBITIONS selected continued
2021 Bainbridge Arts & Crafts, “Essential,” Bainbridge Island, WA 2021 Roby King Gallery, “Our Landscape,” Bainbridge Island, WA
2021, 2017 2015, 2013 Chelsea Old Town Hall, “London Biennale,” London, England
2020 Burchfield Penny Art Center, “Small Sculptures from the Collection,” Buffalo, NY (Fall)
2019, 2018, 2017 Collective Vision Gallery, “CVG Annual,” Bremerton, WA 2019 Bainbridge Island Museum of Art, Lovelace Gallery, Bainbridge Island, WA
2018 Gagliardi Gallery, Selected Works from Chianciano Biennale, London, England (Fall) 2017 Bainbridge Island Museum of Art, Part of installation of 75th Anniv. Japanese American
Internment Exhibition. Bainbridge Island, WA (3 works)
2016 Bainbridge Island Museum of Art, “BIMA @ 3.” Bainbridge Island, WA (summer) 2015 Kaviar Forge and Gallery, “Botanical Musing” Louisville, KY
2015, 2011 Fortezza da Basso, “Florence Biennale (#10, #8),” Florence, Italy
2013 Southern Nevada Museum of Fine Art. “International Contemporary VI,” Las Vegas, NV
2013 Raw Space Gallery, “The Power of Perception,” New York, NY
2013, 2007 Washington State Convention Center, “Seattle Metals Guild Biennial,” Seattle, WA

2013 Frodel Gallery, Poulsbo, WA “Edibles” 2-Person Exhibition with Wendy Armstrong
2013 Tecoah Bruce Gallery, “Reflection 100: Jewelry/Metal Arts Exhibition,” California College of the Arts, Oakland, CA
2012 Bertha V.B. Lederer Gallery, “Flora and Fauna: Narrative through Iconography,” SUNY Geneseo, NY
2006 Wayne Art Center, Wayne, PA. “CraftForms Award Winners Invitational”
2004 Seattle Center, Seattle, WA. Bumberbiennale 2004 “Consumables” (Curator: Matthew Kangas)
2002, 2001 Wayne Art Center, Wayne, PA. “CraftForms 2002” (Selected by Lloyd Herman then Michael Monroe) 2000 Commencement Art Gallery, Tacoma, WA. “Contemporary Metal Sculpture”


2015 Sundial (10-foot Bow-style) Battle Point Astronomical Assoc., Battle Point Park, Bainbridge Island, WA
2001 “Salmon Run (Waterfall)” @ Battle Point Park, Bainbridge Island, WA
1998 “Paths to Greatness” State University of New York, Geneseo. (Milne Library)

Bainbridge Island Museum of Art, Bainbridge Island, WA (multiple) Minneapolis Institute of Art, MN (multiple)
The Charles Penney Collection, State University College @ Buffalo, NY Southern Utah State College
2015 Bainbridge Family Counseling, Bainbridge Island, WA (multiple)
2008 “Reaching for Knowledge” West Sound Academy, Poulsbo, WA
2005 “7th Generation View” Laird Norton Company, Norton Building, Seattle, WA
1995 “Along the Way” @ CHEMED CENTER, Lobby, Cincinnati, Ohio

Publications / Media / Podcasts Video
2021 “ Bill Baran-Mickle at BAC Interview” (Bainbridge Arts & Crafts Gallery)
(Sept. 6.28 min. )

2020 Island Treasure Award Interview, Cynthia Sears interviewer, Steve Stolee videographer. (17 min.)

2013 “American Peas” 11.43 minutes, Terry Moymont, videographer.
**Exhibited at the 2013 Celluloid Bainbridge Film Festival, Nov. 2 -3, Lynwood Theatre

2008 “Fabricated Interiors” 10 minutes 2007 Terry Moymont, videographer Run 13 times throughout August on BITV (Bainbridge Island Television) Also on YouTube:
** Exhibited on “SNAG TV” for National Conference, Seattle, WA 2011

2018 “Something New Program,” Bainbridge Community Broadcasting/
Bainbridge Artisan Resource Network (BARN)

2015 “Elegant 10-foot Sundial Combines Art & Science.” What’s Up Bainbridge Podcast (July 8) BCB

Books – selected
2020 Jewelry and Metals Survey 2019 (JAMS) Vol. 3. Society of North American Goldsmiths, (p.158, 2 ills.)
2018 Jewelry and Metals Survey 2017 (JAMS) Vol. 1. Society of North American Goldsmiths, (pg., 1 ill.)
2005 Williams, Arthur. The Sculpture Reference Illustrated. Gulfport, MS, Sculpture Books
Publishing. (pp. 146, 198. Examples for “Fabrication,” 3 ills.)
1997 Turner, Tran (Editor): Expressions in Wood, Oakland Museum, CA. (2 ills. pp.35-36)
1996 The Guild, Publisher: Art for the Wall…The Designer’s Sourcebook 11 (152-54,86,2ills)
Subject of Article: “Anatomy of a Competition” Baran-Mickle’s winning wall relief.
1995 Mitchell, Bob. (Editor): 1995 Metal Arts Sourcebook [on CD ROM] , Bob Mitchell
Productions, Computer Multimedia Productions Corp. (ills.)
1993 LaPlantz, David. (Editor): Jewelry/Metalwork Survey #3 (Ideas-Images-Imagemakers)
Shereen LaPlantz Publisher, Bayside, CA (pp. 21-24. ills.)
1992 LaPlantz, David and Shereen LaPlantz (Editors): Jewelry/Metalwork Survey #2
(A Way of Communicating), Shereen LaPlantz Publisher Bayside, CA. (pg. 122. ills.) 1991 LaPlantz, David (Ed): Jewelry/Metalwork 1991 Survey (Visions, Concepts, Communication)
Shereen LaPlantz Publisher, Bayside, CA (pg. 110. Ills) 1988 Meyer, Barbara: Contemporary Craft Art: A Collectors Guide,
Gibbs M. Smith, Inc., Salt Lake City, (pg. 212. 1988. ill.)

Catalogs – selected
2022, 2018 Chianciano Biennale 2018 Catalogue (106 pages), Chiaciano Museum of Art, Italy
2021, 2017, 2015, 2013 London Art Biennale 2021
2018 Studio Visit (Journal) V.4 pp. 18-19, 2 ills. (Francie Weiss, Curator)
2015, 2011 Florence Biennale: Internazionale D’art Contemporanea, Edition X, VIII

2014 William Baran-Mickle, Gestures, catalog of solo show at Artifact Gallery, New York, NY (24 pages)
1995 Burchfield Penney Art Center, NY “Form, Function, Fantasy: The Craft Art Collections”
1991 Herbert F. Johnson Museum of Art, “Message to the Future,” NY State Artist Series IX.
Cornell University, Ithaca, NY (ill.)
1991 Old Pueblo Museum, Tucson, AZ. “Copper 3”
1990 Burchfield Art Center, “Craft Art of Western New York 1990” Buffalo State College

Reviews / Articles
2020 Marano, Luciano. Island Treasures: Cantwell, Baran-Mickle are latest inductees to storied pantheon, Bainbridge Review, 1/13. (ill)
2019 Turnberg, Despina: World Wide Art Magazine, #1, World Wide Art Books. Pp. 7-8, 2 ills.
2018 Edge, Lisa. “Full House: Artists express the meaning of home” Real Change magazine, 4/18.
2018 Something New : The Public Art Committee’s selections…”, Currents Magazine, Arts & Humanities
Bainbridge, WA
2017 Seattle Metals Guild Newsletter: Exhibitions. June, (p. 7, 3 ills.)
2016 Warrington, Timothy. “William Baran-Mickle – The Critique,” International Confederation of Art Critics (ill.)
2015 Page, Seraine: “At long last: Here comes the sun(dial),” Bainbridge Review, 5/17 ( ill.)
2014 “Gestures Opens Friday” Bainbridge Review 10/3 (ill)
2013 Garza, Cecilia: “Final Push…New Sundial,” Bainbridge Island Review, 8/13 (pg. 17, 1 ill.)
2013 “Battle Point Sundial project nears completion,” Seattle Astronomy Newsletter, (April 14. Ill)
2013 “Review of the London Biennale 2013,” Art News Report.
2013 Sooter, Tad: “Ancient Time,” Kitsap Sun, 8/20, Front Cover article.
2009 Roach, Sean: “Tracking the Sun with BPA,” Bainbridge island Almanac 2010, WA, p 71 ill
2010 “Patterns” Exhibition Magazine, [Arts Magazine for Bainbridge Is, WA] (4 ills.)
2007 Kangas, Matthew: “Busy Lives “ Solo exhibition. Metalsmith (vol 27,no 2) pg.53. (3 ills.)
2001 Donohoe, Victoria: “Wayne Center. national talent,” Philadelphia Enquire (PA) 12/9
2000 Kangas, Matthew: “Metal Casts a new look,” Seattle Times, (WA) 9/29, (ill)

1978 – Present: Studio Artist
1981 – Present Free-lance Writer and Critic

Curator – recent
2017 Co-Curator “Home” (Inaugural exhibition of new Art Gallery) Olympic College, Bremerton, WA (with Prof. Weichman and Curator Greg Robinson @ BIMA) Expanded and traveled to Bainbridge Island Museum of Art (BIMA).
2015 Guest Curator, “Cut & Bent” (Tin artists) Mesa Gallery, Bainbridge Island Museum of Art (Spring)

Lectures/Artist Talks Given – recent
2021 @ Manor House Restaurant, part of Bainbridge Arts & Crafts Fundraiser.
2021 @ Bainbridge Arts & Crafts, part of “Essentials” exhibition.
2014 @ Bainbridge Performing Arts, Talk with BARN Metals Group

Published Materials Authored by William Baran-Mickle
2015 75 Years of Giving: The History of the Laird Norton Family Foundation,
Publisher: Laird Norton Family Foundation, Seattle, WA 2015 (245 pages, 9 x 11, cloth)
Catalog and Book Essays:
2010 “Michael Jerry: Looking Back; Looking Forward. Reflections on fifty years of life in metal”
@ National Ornamental Metal Museum, Memphis, TN [main catalog essay]
1999 “Narrative Constructions,” Marilyn da Silva: Master Metalsmith”
@ National Ornamental Metal Museum, Memphis, TN [main catalog essay]
1993 “Missing Pieces,” in Jewelry/Metalwork Survey #3: (Ideas-Images-Imagemakers)
Editor: La Plantz. Shereen LaPlantz Publisher, Bayside, CA. (pp. 21-24. ills.)

Articles – selected

2002 “Louis Mueller,” Metalsmith 22(1)
2001 “Stealth Art” Artdish (e-zine) May
2000 “Focus: Tamiko Kawata,” Sculpture vol. 19, no. 4
2000 “The Good, The Bad, and the Ugly” Artdish (e-zine) June
1998 “Marilyn and Jack da Silva,” American Craft v.58(6) pp. 36-39.
1996 “Along the Way,” Metalsmith vol. 16/1 pp. 10,14
1995 “Interior Motives: Myra Mimlitsch-Gray” Metalsmith 15/4 pp.22-29
1995 ” One of a Kind: American Art Jewelry” American Craft 55/1 (book review)
1994 “An Interview with Lloyd Herman,” Metalsmith 14/2 pp.
1993 “Frederick A. Miller – A Precarious Balance” Metalsmith 13/2
1981 “Art of the Silversmith” Ornament 5(2) p. 43

Columns -selected recent
2019 – 2023 “First Friday” Column for Currents Online (magazine), Arts & Humanities Bainbridge, WA (August 2019 ….monthly) ** Renamed “Ebb and Flow” Oct. 2020. Focusing on one or two artists exhibiting in a local gallery each month and brief articles on artists.

Baran-Mickle Résumé pg. 6
Reviews – selected recent

2017 “Paradigm Shifted: Symposium Review. Pp 9-10. Seattle Metals Guild Newsletter. Nov/Dec.
2017 “Heikki Seppa Exhibition at BIMA,” Seattle Metals Guild Newsletter. Nov/Dec.
2002 “Louis Mueller,” Metalsmith 22(1)

Board Activities – selected recent
Bainbridge Artisan Resource Network
2011 – 2018 Co-Founder and Board of Directors.

Bainbridge Island Art Museum
2010 – 2017 Early Founding Board Member, Bainbridge Island Art Museum, Bainbridge Island, WA 2010 – 2023 Member, Acquisition and Exhibition Committee

Arts and Humanities Bainbridge
2019 – 2023 Columnist, Currents Online Magazine, Arts & Humanities Org., Bainbridge Island, WA Member, Currents Online Editorial Committee
2014 – 2021 Member of Public Art Committee. (* Chair 2014 – 2015)

Kitsap County Art Board.
2002 – 2007 Appointed Founding Board Member. (*Chairman: 2004 – 2007), Kitsap County, WA

The following are a listing of Legacy involvements. Generally, Legacy here means before 2000. Some items may be listed in the regular Resumé when considered very important or shows variety.

Legacy Group Exhibitions – selected

1997 New York State Museum, Albany. Invited artist. (Feb. – May) Contemporary New York State Crafts”
1997 Society of Arts and Craft, Boston, MA. “Centennial Metals,” Invitational Exhibition,
part of the Society’s Centennial celebration. (Selected by Michael Monroe)
1997 Caroll Reece Museum, East Tennessee State Univ., Johnson City. “Formulations: A Metals Invitational”
1993 – 1994 The Worchester Center for Crafts, Worchester, MA “The Domestic Object:
Articles for Everyday Living” Traveled to The Berkshire Museum, Pittsfield, MA; 1993 The Fuller Museum of Art, Brockton, MA April 3, 1993 – January 9, 1994
1993 Tower Fine Art Gallery, State University of New York, Brockport, NY
“Metal ’93 Invitational: Master Metalsmiths and Protégés” (as Master Metalsmith) 1991/2 Old Pueblo Museum, Tucson, AZ. “Copper 3” (Dec. – Jan.)
1991 Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
“Message to the Future,” NY State Artist Series IX. Traveled to SUNY @ Cortland, NY 1991 Joe Evins Appalachian Center for Crafts, Smithville, TN “Metal Expressions II”
Traveled to National Ornamental Metal Museum, Memphis, TN 1991 Memorial Art Gallery, University of Rochester, NY
“Historical Sources and New Visions in Contemporary Metalsmithing” (Mar-April)

1990 Burchfield Art Center, Buffalo State University, Buffalo, NY “Craft Art of Western NY”
1990 Downey Museum of Art, Downey, CA “Metals Now” (Nov. – Dec.)
1990 Hoffman Gallery, Oregon School of Arts & Crafts, Portland, “New Generation Metals”
1988 Memorial Art Gallery, Univ. of Rochester, NY “Fingerlakes Exhibition” (Award)
1987 *Chapman Art Center, Cazenovia College, NY “Two-Person Exhibition”
1987 Tower Art Gallery, SUNY Brockport, NY “Hollowware ’87”
Traveled to SUNY-Oswego + and SUNY-Plattsburg
1986 National Air and Space Museum, Smithsonian Institution, Wash., D.C “Earth Views” (1 yr.)
1986 Museum of Art, Penn. State University “Crafts Twenty” (Award)
1986 Arrowmont School of Arts & Crafts, Gatlinburg, TN “Space: New Forms, New Function”
1985 Downey Museum of Art, Downey, CA “Contemporary Metals USA I”
1985 Renwick Gallery, Smithsonian Institution, Washington, D.C. “Empire State Crafts”
1985 Joe L. Evins Appalachian Center for Crafts, Smithville, TN “Metal Expression”
1983 “Washington Crafts Show (1st)” Smithsonian Association, Washington, DC
1981 Western Colorado Center of the Arts, Grand Junction, CO “Objects ’81”
1981 Coos Art Museum, Coos Bay, OR “Crafts Now: 1981”
1980 University of Houston, Clear Like City, TX “Tradition and Change” Ap.6 – My 4
1980 Springfield Art Association, IL “American Crafts 1980” Nov. 22 – Jan. 3

1979 Image of Sarasota Gallery, FL “Three-Person Exhibition”
1979 El Paso Museum of Art, El Paso, TX “El Paso Designer/Craftsman, 1979 Biennial”
1979 Fairbanks Hall Gallery, Oregon State Univ., Corvallis, OR “Functional Forms ’79”
1979 Aaron Faber Gallery, New York, NY and Martha’s Vineyard “New Artists in Gold”
1979 The Elements Gallery, New York, NY and Greenwich, CT “Eat, Drink and Be Merry”
1979 Coos Art Museum, Coos Bay, OR “Crafts Now: 1979”
1979 Brigham Young Univ., Utah “2nd Far Western Crafts Exhibition”
1978 Peninsula Museum of Art, Monterey, CA “California Craftsmen ’78”

Legacy Reviews/Articles / selected

1997 Netsky: “State of the Art,” City Newspaper, vol. 26, #43, (Rochester, NY) pp. 16-17 (ill)
1997 Worden, John, “A Fair Fingerlakes,” Democrat & Chronicle, 7/20 (Rochester, NY)) (p.3C.)
1996 Cristina Connaly, Interview. ArtScene, May, (Ill.) [Arts Magazine for Rochester]
1996 Baran-Mickle, Wm. “Along the Way,” Metalsmith 16(1) (pp.10,14. ills.)
1995 *Quinland, Linda “Forging Ahead,” Wolfe Newspapers, Rochester, NY May 22, (ills.)
1993 Tovish, Nina “Mastering Metal,” Democrat & Chronicle, (Rochester, NY) Feb. 3, (ill.)
1992 Croft, Michael “Cu 3 Exhibition,” Metalsmith 2(2). (ill.)
1991 Netsky, Ron: “Historical Sources, New Visions in Contemporary Metalsmithing,” Metalsmith 11(4)
1991 Gallery Notes: “Historical Sources, New Visions in Contemporary Metalsmithing,” Memorial Art Gallery,
University of Rochester, NY p.6, ill.
1991 *Netsky, Ron: Solo Show @ Arnot Art Museum, Metalsmith 11(2). (ills )
1991 Netsky, Ron; “Learning from Tradition,” Democrat & Chronicle, Rochester, NY (3/ 10) (ill)
1990 *Netsky, Ron. “Earthly Shapes in Metal” Democrat & Chronicle, Rochester, NY Oct. 7. (ills.)
1990 “New Generation Metals,” The Oregonian, Portland, OR (1/19)
1989 Sasser, Elizabeth; “Metalsmiths Win the West,” Metalsmith 9(1). (pp. 16-23, ill.)
1989 *Lux, Heidi. “…Two award winning metalsmiths,” Wolf Newspapers, Rochester, NY Oct. 4. (w/ ill)
1988 Netsky, Ron: “Lamberton Exhibition,” Democrat & Chronicle, Rochester, NY (4/24)
1986 *Peters, Susan Dodge. “Two in Metals,” Metalsmith 6(4). (p.46., ill. )
1986 *Peters, Susan Dodge. “Two in Metals,” City Newspaper, Rochester, NY (4/10), (ill.)
1985 Novin, Carolyn. “Contemporary Metals USA,” Metalsmith 5(4). (pp. 42-42 . ill.)
1985 Marion, James. “Steel: From Smiths to Sculptors,” Presentation: Fine Art Journal of Upstate New
York, v2, no 1, (pp 22 – 24)

Legacy Teaching

2003 Instructor, Olympic College, E. Bremerton, WA (Art History Survey)
1997 Instructor, Nazareth College, Rochester, NY (metals)
1990 – 1991 Instructor, The Norman Howard School, Henrietta, NY (metals)
1982 – 1985 Adjunct Faculty in Metals: College of Continuing Education,
Rochester Institute of Technology, Rochester, NY
1981 – 1982 Native American Project Assistant [Title IV Native American Program]
Rush-Henrietta School District, NY (Grades 7 – 12) [N.A. History and Craft]

Legacy Boards, Panels and Involvements

Kitsap County Art Board.
2002 – 2007 Founding Board Member. (*Chairman: 2004 – 2007)
[County Commissioners approved a 1% for Art Ordinance in July 2001 and appointed committee members)]

Society of North American Goldsmiths (SNAG) 1993 – 1995 Member: Newsletter Task Force
1988 – 1992 Publications Editor: Newsletter columnist

Smithsonian Institution
1993 Public Art Data Base Project:
SOS Volunteer: (Save Outdoor Sculpture!), Field Work in Rochester, New York

Arts for Greater Rochester, Rochester, NY
1992 + 1993 Panelist: Community Arts Fund/ Decentralization Grants (Chairman of Panel 1993) 1988 – 1994 Member: Re-grant Advisory Committee
1988 – 1990 Panelist: Mid-size Grant Program, (*Chairman of Panel 1989)

Empire State Crafts Alliance (New York)
1991 Panelist: Artists Fellowship Program

Arnot Art Museum, Elmira, N.Y.
1991 Juror: “ 58th Regional Art Exhibition”

Rochester Area Foundation, Rochester, NY
1987 – 1991 Panelist: Community Arts Fund (Grants)

Legacy Lectures/Artist Talks Given

1995 @ SUNY Brockport, Metals workshop/lecture
1993 @ SUNY Brockport: Opening Lecture, “Master Metalsmiths and Protégés” Exhibit
1992 @ SUNY Brockport, Metals workshop/lecture
1991 @ SUNY Brockport, Senior Arts Seminar
1991 @ Dawson Gallery, “Contemporary Jewelry and Barry Merritt.”
1990 @ Arnot Art Museum, Elmira, N.Y.
1990 @ Adams Art Gallery, Fredonia, N.Y.
1985 @ School of Photographic Arts and Sciences, RIT, “Creative Process”
1983 @ New York Jewelry School, N.Y.C.
1982 @ Roberts Wesleyen College, Rochester, N.Y.
1981 @ Rochester Institute of Technology, N.Y. (Graduate lecture)

Published Materials Authored by William Baran-Mickle


1998 “Marilyn and Jack da Silva,” American Craft v.58(6) pp. 36-39.
1996 “Along the Way,” Metalsmith vol. 16/1 pp. 10,14
1995 “Interior Motives: Myra Mimlitsch-Gray,” Metalsmith 15/4 pp.22-29
1994 “An Interview with Lloyd Herman,” Metalsmith 14/2
1993 “Frederick A. Miller – A Precarious Balance,” Metalsmith 13/2
1992 “Material Evidence: Mark Stanitz,” Metalsmith 12/4
1992 “Beneath Surface and Form: Lynne Hull,” Metalsmith 12/2
1992 “Off the Centerline: Reflections on a Career in Metalsmithing”
(0n Michael John Jerry), Metalsmith 12/1, pp.24 – 29.
1991 “Focus: Tom Markusen,” Metalsmith 11/2
1982 “Influences on Contemporary American Metalsmithing,”
Ornament 5(3) pp28-29,43.


2017 “Paradigm Shifted: Symposium Review,” Pp 9-10. Seattle Metals Guild Newsletter. Nov/Dec.
2017 “Heikki Seppa Exhibition” at BIMA,” Seattle Metals Guild Newsletter. Nov/Dec.
2002 “Louis Mueller,” Metalsmith 22(1)
2001 “Poulsbo’s New Library…” Arts Journal (Cultural Arts Foundation Northwest) Spring
1998 “Lynn Whitford:. . . .,” Metalsmith v.18(5):52-3
1997 “Greybeards Garden of Earthly Delight,” Metalsmith 17(5)
1997 “Elizabeth Glass,” Metalsmith 17(3) p.40
1997 “Ephemeral Metal: Interlock-Interweave,” Metalsmith 17(2) pp.42-43

1996 “Jewelry with an Attitude: Robert Ebendorf,” Metalsmith 16/2 pg.41
1996 “Botanicals: Holloware by Candace Beardslee,” Metalsmith 16/1 pg. 41
1995 ” One of a Kind: American Art Jewelry,” American Craft 55/1 (book review)
1993 “Glass Invitational,” Ganett Newspaper-Rochester (May)
1992 “Of Magic, Power & Memory: Contemporary and International Jewelry,” Metalsmith 12/6
1992 “John Nihart – Sculptures,” Metalsmith 12/2
1992 “The Metal Vessel,” Metalsmith 12/1, p.44
1989 “Leonard Urso,” Metalsmith 9/3
1986 “Jonathan Bonner,” Metalsmith 6/2
1985 “Laskin – Leupp,” Metalsmith 5/2 Spring. p 50
1985 “Merritt ’85 National,” Ornament 9(2) p. 58-60
1984 “Clark – Leudeman,” Metalsmith 4/1 Winter p. 44

1988 – 92 “Publications Column” for SNAG Newsletter, Society of North American Goldsmiths
(published six per year) Summarized 3 to 4 articles of interest from “outside the field sources.”

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